
Nothing is known about this act except it appeared in Frank Bostock’s ‘Jungle’ in Sheffield and on the road between at least 1901-1910.
There appears to be no information regarding Batty and whether he was from the famous family of equestrianers.
Nothing is known about this act except it appeared in Frank Bostock’s ‘Jungle’ in Sheffield and on the road between at least 1901-1910.
There appears to be no information regarding Batty and whether he was from the famous family of equestrianers.
On show at the Circus Hall of Fame Sarsota, Florid, USA.
Edward Cross, a notable wild beast merchant of the 19th century, owned and operated the menagerie at Exeter Exchange in London. Among his collection of exotic animals were several lions, and he famously named multiple lions “Wallace.”
Number of Wallace Lions:
It is documented that there were at least three lions named Wallace at different times. Each of these lions gained some degree of fame:
The practice of reusing the name “Wallace” for successive lions helped build a lasting brand and reputation for Cross’s menagerie, attracting visitors who were familiar with the famed lion by that name. This tradition of naming multiple animals with the same name is not uncommon in the history of menageries and zoos.
George Wombwell was a prominent British showman and the founder of Wombwell’s Traveling Menagerie, one of the most famous traveling animal shows in the 19th century. His menagerie was renowned for its exotic animals, and among them, a lion named Wallace became particularly famous.
Fame and Legacy:
George Wombwell’s lion, Wallace, remains one of the most famous lions in the history of traveling menageries. Wallace’s reputation for being a magnificent and gentle lion made him a star attraction and helped cement George Wombwell’s legacy as a leading showman of his time. The story of Wallace highlights the public’s enduring fascination with exotic animals and the rich history of animal exhibitions in the 19th century.
However, the Wallace depicted above was from the USA, and, according to the card, was from the Wombwell and Bostock Wold Animal Show. Reported to have killed 3 of its trainers and had to be ‘executed’.
It was Frank Bostock that went to the USA in the late 1800s and successfully traveled the country with his Wild Animal Show. He also had a permanent site on Coney Island, New York.
Frank C. Bostock, known as the “Animal King,” was a pioneering figure in the world of traveling menageries and animal shows. Originating from a family deeply entrenched in the circus and menagerie business in the UK, Bostock expanded his operations internationally, achieving remarkable success in New York in the late 19th and early 20th centuries.
Born in 1866 in England, Frank Bostock was part of the famous Bostock and Wombwell menagerie family. From a young age, he was immersed in the world of exotic animals and show business. Frank eventually branched out to create his own menagerie, distinct from his family’s legacy, which would go on to become a global sensation.
In the early 1890s, Frank Bostock brought his menagerie to the United States, where he quickly made a name for himself. New York, with its burgeoning entertainment industry and appetite for spectacle, provided the perfect setting for Bostock’s grand exhibitions.
Frank Bostock’s tenure in New York marked a significant chapter in the history of traveling menageries and animal exhibitions. Through his innovative approach to animal training and showmanship, Bostock captivated audiences and set new standards for the industry. His legacy as the “Animal King” endures, reflecting his contributions to entertainment, animal welfare, and cultural history.
In the colorful tapestry of entertainment history, Frank Bostock’s menagerie stands out as a fascinating chapter that brought the exotic wonders of the animal kingdom to the doorsteps of audiences. Born in 1866, Frank Bostock was a showman and menagerist who created a traveling spectacle that captivated the imaginations of people across continents.
Bostock’s journey into the world of menageries began at a young age. His fascination with animals and a keen sense of showmanship led him to establish his own menagerie, showcasing a diverse collection of creatures from every corner of the globe. Bostock’s vision was not just about displaying exotic animals but creating an immersive experience that transported spectators to far-off lands.
What set Bostock apart was his mobile menagerie – a traveling caravan of wonders that brought the allure of the wild to both urban centers and rural areas. From lions and tigers to elephants and exotic birds, the menagerie featured a breathtaking array of creatures. This traveling spectacle became a cultural phenomenon, providing a taste of the exotic to audiences who might never have the chance to see such animals otherwise.
Bostock’s menagerie wasn’t merely about entertainment; it also served an educational purpose. His shows often included informative talks about the habits, habitats, and characteristics of the animals on display. Bostock sought to cultivate a sense of wonder and respect for the natural world, fostering a connection between people and the creatures that shared the planet.
Bostock’s menagerie gained royal approval when he presented his traveling show to King Edward VII, further solidifying its prestige. Beyond the shores of England, Bostock expanded his menagerie empire internationally. The success of his shows in the United States and Australia attested to the universal appeal of his carefully curated exhibits.
Running a traveling menagerie posed numerous challenges. Animal welfare concerns were raised, and Bostock faced criticism for the conditions in which the animals were kept. However, it’s important to contextualize these issues within the historical understanding of animal care during the time. Bostock, in his era, was at the forefront of popularizing and showcasing wildlife.
Frank Bostock’s menagerie left an indelible mark on the history of entertainment. His innovative approach to combining education with spectacle laid the groundwork for future zoos and wildlife exhibitions. The legacy of Bostock’s menagerie endures in the collective memory of those who experienced the thrill of encountering exotic animals in the midst of their everyday lives.
In the grand tapestry of showmanship, Frank Bostock’s menagerie remains a vivid thread that weaves together the realms of entertainment, education, and wildlife appreciation. Bostock’s traveling spectacle brought the wild to the urban and rural landscapes, leaving an imprint on the cultural fabric of the times. While the methods and ethical standards of animal exhibitions have evolved, Bostock’s menagerie remains a fascinating chapter in the history of human fascination with the wonders of the animal kingdom.
During the early part of the twentieth century, Frank Bostock returned to England from New York and toured his Bostock’s Jungle. It visited several large cities and Earl’s Court, another of those large exhibition sites in London. It had also operated for 7 months in Sheffield, South Yorkshire during 1910.
Here is one of the many postcards produced to advertise the shows:
The following postcard, issued by Frank Bostock at Coney Island, New York, shows Miss (sometimes known as Princess) Ora Cecil training a young leopard.
Cecil once commented:
“…little cats are nicer than the big ones I think, but more treacherous and have to be handled each in his or her own way. They are playful at times and like to be petted, but you never can be sure whether they will hurt you or not.
One funny thing about them though, is that once they have been trained by a woman, they will not work for a man.”
Elmira Daily Gazette, July 20th 1904
Ora Cecil appeared for Frank Bostock at both Coney Island and Atlanta city.
There has been a rise in the interest of lion taming recently and the research website will be publishing a series of articles on lion training in history. Added today a new article (in PDF format) concerning Montarno from Bostock and Wombwell’s Menagerie.