A Lion named Wallace?

On show at the Circus Hall of Fame Sarsota, Florid, USA.

Edward Cross, a notable wild beast merchant of the 19th century, owned and operated the menagerie at Exeter Exchange in London. Among his collection of exotic animals were several lions, and he famously named multiple lions “Wallace.”

Number of Wallace Lions:

It is documented that there were at least three lions named Wallace at different times. Each of these lions gained some degree of fame:

  1. First Wallace: The original Wallace became quite famous during its time, gaining notoriety for its size and demeanor. This lion was a significant attraction at Exeter Exchange.
  2. Second Wallace: Following the death of the first Wallace, Cross named another lion Wallace, continuing the legacy and maintaining the public’s interest in his menagerie.
  3. Third Wallace: A third lion also bore the name Wallace, keeping the tradition alive and ensuring that the name Wallace remained synonymous with the impressive lions of the menagerie.

The practice of reusing the name “Wallace” for successive lions helped build a lasting brand and reputation for Cross’s menagerie, attracting visitors who were familiar with the famed lion by that name. This tradition of naming multiple animals with the same name is not uncommon in the history of menageries and zoos.

George Wombwell was a prominent British showman and the founder of Wombwell’s Traveling Menagerie, one of the most famous traveling animal shows in the 19th century. His menagerie was renowned for its exotic animals, and among them, a lion named Wallace became particularly famous.

Wallace the Lion

Fame and Legacy:

  1. Exhibition: Wallace was one of the star attractions of Wombwell’s Menagerie. The lion was renowned for his size, strength, and the magnificent mane that became a symbol of the menagerie.
  2. Docile Nature: Unlike many other lions in captivity at the time, Wallace was known for his relatively docile and gentle nature. This made him particularly popular with the public and allowed for close interactions, which were a major draw for visitors.
  3. Historical Significance: Wallace was born in captivity in 1812 and became a part of Wombwell’s Menagerie. He lived until 1838, reaching an age of 26 years, which is quite notable for a lion, especially one in captivity during that era.

Impact on Popular Culture:

  1. Public Attention: Wallace’s fame extended beyond the menagerie itself. His image and stories about him were widely disseminated, making him a household name in 19th-century Britain.
  2. Literature and Art: Wallace inspired various artistic and literary works, reflecting the public’s fascination with exotic animals and the adventures of traveling menageries.

Legacy of George Wombwell:

  1. Menagerie Success: George Wombwell’s success with his traveling menagerie was partly due to his ability to create strong public personas for his animals. Wallace the lion was a prime example of this strategy.
  2. Animal Welfare: Although the standards of animal care were very different in the 19th century compared to today, Wombwell was known for his relatively good treatment of his animals, which contributed to their longevity and the success of his menagerie.

Conclusion:

George Wombwell’s lion, Wallace, remains one of the most famous lions in the history of traveling menageries. Wallace’s reputation for being a magnificent and gentle lion made him a star attraction and helped cement George Wombwell’s legacy as a leading showman of his time. The story of Wallace highlights the public’s enduring fascination with exotic animals and the rich history of animal exhibitions in the 19th century.

However, the Wallace depicted above was from the USA, and, according to the card, was from the Wombwell and Bostock Wold Animal Show. Reported to have killed 3 of its trainers and had to be ‘executed’.

It was Frank Bostock that went to the USA in the late 1800s and successfully traveled the country with his Wild Animal Show. He also had a permanent site on Coney Island, New York.

Frank Bostock and His Menagerie in New York

Introduction

Frank C. Bostock, known as the “Animal King,” was a pioneering figure in the world of traveling menageries and animal shows. Originating from a family deeply entrenched in the circus and menagerie business in the UK, Bostock expanded his operations internationally, achieving remarkable success in New York in the late 19th and early 20th centuries.

Early Life and Background

Born in 1866 in England, Frank Bostock was part of the famous Bostock and Wombwell menagerie family. From a young age, he was immersed in the world of exotic animals and show business. Frank eventually branched out to create his own menagerie, distinct from his family’s legacy, which would go on to become a global sensation.

Arrival in New York

In the early 1890s, Frank Bostock brought his menagerie to the United States, where he quickly made a name for himself. New York, with its burgeoning entertainment industry and appetite for spectacle, provided the perfect setting for Bostock’s grand exhibitions.

Bostock’s Menagerie

  1. Exotic Animals and Training:
    • Diverse Collection: Bostock’s menagerie featured a wide array of exotic animals, including lions, tigers, elephants, bears, and more. His collection was known for its variety and the healthy condition of the animals.
    • Innovative Training: Frank Bostock was renowned for his innovative and humane training techniques. Unlike many of his contemporaries, he emphasized positive reinforcement and developed a deep understanding of animal behavior, which allowed him to perform complex and engaging shows.
  2. Spectacular Shows:
    • Public Exhibitions: Bostock’s shows were a mix of education and entertainment. He showcased not only the animals’ natural behaviors but also their trained abilities. This approach captivated audiences and made his shows a must-see attraction in New York.
    • The Arena: In 1903, Bostock opened a permanent exhibition space known as Bostock’s Arena at Coney Island. The arena was a state-of-the-art facility designed to house his extensive menagerie and host daily shows. It quickly became one of Coney Island’s premier attractions.
  3. Notable Performances and Incidents:
    • Major Public Draw: Bostock’s performances included daring acts such as lion taming, tiger training, and elephant performances. His shows were characterized by their dramatic flair and the close bond he shared with his animals.
    • Fire at Dreamland: In 1911, a tragic fire at Dreamland amusement park, where Bostock had his animals, resulted in significant losses. Many of the animals perished in the fire, marking a somber moment in his career.

Impact on New York and Legacy

  1. Influence on Animal Shows:
    • Setting Standards: Bostock set new standards for animal care and training, influencing future generations of trainers and entertainers. His methods were studied and emulated by many in the industry.
    • Public Perception: He played a significant role in changing the public perception of animal exhibitions from mere curiosities to respected forms of entertainment and education.
  2. Cultural Contributions:
    • Entertainment Industry: Bostock’s success in New York contributed to the growth of the entertainment industry, particularly in Coney Island, which became a hub for amusement parks and attractions.
    • Animal Welfare Awareness: His humane approach to animal training brought attention to the importance of animal welfare, laying the groundwork for future improvements in the treatment of performing animals.
  3. Enduring Fame:
    • Publications and Media: Bostock’s life and career were chronicled in various publications, and his menagerie was frequently covered in the media. His fame extended beyond the United States, cementing his legacy as a global showman.

Conclusion

Frank Bostock’s tenure in New York marked a significant chapter in the history of traveling menageries and animal exhibitions. Through his innovative approach to animal training and showmanship, Bostock captivated audiences and set new standards for the industry. His legacy as the “Animal King” endures, reflecting his contributions to entertainment, animal welfare, and cultural history.

CHATGPT, the Artificial Intelligent chatbot , praises George!

Here is answer to our question: Do you know George Wombwell?

“Yes, I am familiar with George Wombwell. He was an English menagerie owner and showman who lived from 1777 to 1850. He is particularly famous for his traveling menagerie, which he took around the country exhibiting exotic animals such as elephants, lions, tigers, and bears. His menagerie became one of the most famous in the world and he is considered one of the pioneers of modern zoos. He was also known for his philanthropy, and was a supporter of the Royal Society for the Prevention of Cruelty to Animals.”

Nothing about dog fights in that answer. So what was response when the question was : Did George arrange lion fights?

“There is no evidence to suggest that George Wombwell arranged dog fights. In fact, Wombwell was known for his love of animals and was opposed to any kind of cruelty towards them. He was a proponent of treating animals with kindness and respect, and he took great care to ensure that the animals in his menagerie were well looked after. Wombwell’s legacy is that of a pioneering showman who helped to popularize the idea of exhibiting exotic animals to the public, and of a philanthropist who cared deeply about the welfare of animals.”

Maybe we cannot trust a chatbot, but clearly the underlying data suggest otherwise! It’s nice to know that consensus agrees with this websites persuasive , but well researched arguments.

Warwick Museum’s Hidden Painting of ‘Wallace the Lion’

About 18 months ago, I was contacted by one Prunella, a lady from Canada, advising me she had seen a painting of Wallace the Lion at a museum in Warwick, England.

This was her explanation at the time:

‘My mother’s maiden name was Ethel GRACE Wombwell – my 3X great grandfather John (1774 – 1845) was a son of John Wombwell and Sarah Rogers.

In reference to the lion fights…. There is a very small museum in Warwick that has a painting of a lion (either Nero or Wallace) and a poster about the fight… If this is your correct email, I will attempt to send the pictures of these that I took last year. My brother lives near Warwick and I have asked him to send me the name of the museum.’

Prunella recently replied to an email from me with the following information:

‘The place in Warwick is St John’s House Museum, CV34 4NF’.

Since it has been two years since I was first alerted to its existence, I checked out the current details, for anyone wishing to visit the museum.

The Museum is currently closed for a re-location within Warwick, but are still open to deal with shop sales and family history research enquiries.

Exciting developments are afoot to re-locate the museum in 2022 to Pageant House, Jury Street, Warwick.

However, on further research I was informed that the painting is no longer at the museum, irrespective of which building, but in their Hawkes Point storage facility.

Luckily, further detective work revealed that the painting, attributed to Rolf, is documented on splendid ArtUK website.

https://d3d00swyhr67nd.cloudfront.net/w944h944/collection/WAR/WARMS/WAR_WARMS_39-001.jpg

Unfortunately, due to copyright it is not possible to show it here. However, our intrepid Canadian contact, did the honours and produced these two fine photographs.

It is though, an accomplished portrait of a fictional lion, face on. Looks quite sweet! Not the ideal representation a a ‘killer’ lion. Maybe that is poetic justice given the 200 year old lie that Wallace…well, read my Volume One for the real story of the lion fight!


Bartholomew Fair Watercolour by Charles Green R.I. (1840 – 1898)

Whilst researching for volume two of the George Wombwell biography, I discovered a November 1949 article in the popular newsapaper The Sphere concerning Charles Green’s depiction of Bartholomew Fair in central London. It referred to its place in a collection under the aegis of The National Gallery of British Sports and Pastimes, which had been founded by Walter Hutchinson (1887 – 1950) during 1949. It consisted of over 3600 paintings, prints and other works, which belonged to Hutchinson and adorned his house in London: Hutchinson House. Formerly known as Derby House, Stratford Place, the house was originally built for Edward Stratford, the Second Earl of Aldborough in 1776 – 1777. The current occupants are the Orient Club which have maintained residence since 1962.

There is a catalogue of items from the collection.

National Gallery of British Sports & Pastimes (LONDON) – The First 600 Selected Pictures. National Gallery of British Sports and Pastimes … List of sports and pastimes, etc. (London, c.1950)

Following Hutchinson’s death, and the breakup of the Sports and Pastimes Gallery, all works were offered up for auction. The current whereabouts of Green’s painting is not known and there is no record of its existence in the Courtauld’s Witt Archives (as of summer 2017). The Sphere article is quite sparce, but describes a busy scene, full of incidents after the manner of Frith. The entertainments include Wombwell’s Menageire (rear left), swings, roundabouts and all the fun of the fair. In the background is the entrance to Bartholomew’s Hospital. It is probably the most representative of all views of Bartholomew Fair, although it must have been painted after 1855, the closing date of the fair.

Green was a well known illustrator for the works of Charles Dickens and other examples of his work can be found in collections such as those of the Victoria and Albert museum in central London.

This painting was excluded from the biography due to insumountable, multiple copyright issues, and is published here for the purposes of non-commercial research or private study, reference, criticism or review or news reporting, of not more than one item (article or page) from any one issue of a newspaper of periodical. Copyright issues should not be allowed to interfere with the discovery of hitherto unknown artworks from being researched and presented for public display.

Any information concering the current location of the watercolour would be gratefully received.

Oxford Dictionary of National Biogrpahy

I received a reply to my campaign to get the Dictionary upated, in view of the recently released biography (Vols I and II). It is reproduced here. At last,I feel we are getting the nation to change their view on George Wombwell’s life. Of course, I have no way of knowing when and ‘if’ the Dictionary will be updated. You can be assured that I will continue the campaign if they do not take into account the contents of the premier biography of George Wombwell, celebrated Menagerist.

 

 

End of Days: Last Performance Soon by Ringling’s and Barnham’s Circus

Pointed out to me by Terence Ruffle, I think this is well written and quite sad. Possibly not for the animals, but who really knows what they are thinking? The ‘ Greatest Show on Earth’ comes to an end in May 2017. Quite tearful. TJ would be quite angry and George Wombwell the World’s Greatest Showman, George Wombwell would be very sad, and probably wondering how he could capitalise on Barnham’s demise!

A 14-year-old girl named Zazel was the first to be shot out of a cannon, in 1877 London.

On the subject of old ‘trains’, I often wonder if there are any of the caravans that Bostock and Wombwell travelled in, languishing somewhere in a farm outbuilding in the UK? It would make a really good project to refurbish one of them, provide young people with skills training, etc. If anyone knows of one please let us know. Where to look? Farm barns, fields, zoos (Whipsnade, etc.), railyards…

The information age has surely killed live perfomances. Young people will never know what it was like to see tigers and lions,etc.

Mrs Wombwell: A Rare Photograph

Ann Wombwell, hand tinted photograph, private collection, circa 1880

OK, so you have all seen the photograph of Mrs Wombwell (Morgan) from the Bostock programmes and elsewhere, but have you ever seen it like this before:Published by kind permission of the owners.

Here’s also a comparison from the recently added B&W programme.

I am promised a better quality copy in the future. It’s nice to know that these photographs still exist.

 

Address of Mrs Wombwell

By kind permission of Ordance Survey circa 1869

© London School of Economics & Political Science

When Mrs Wombwell retired from running her former partner’s menagerie she retired to live with her daughter and her husband, Edmond Bramston, in an area of London known as All Souls or St, John’s Wood. She lived at 26 Belsize Avenue as shown in the Ordnance Survey map from circa 1869. Prior to this, she mainly travelled with the menagerie number 1, but has been known to have an address elsewhere in North London, probably Stoke Newington. The Belsize Road address at that time was quite a wealthy neighbourhood, being RED: Middle class – Well-to-do on the Booth Poverty map dated 1898-99 as shown below.

Help Required: Photographs from Selby, Yorkshire

E H Bostock probably with Dixie the elephant around 1932

Prince LawdTanno (Spell) known to have been travelling with a menagerie and circus around 1905. Probably a lion tamer modelled on Montarno the African Lion King. Known to have travelled with Chipperfield’s French Menagerie during the early twentieth century.

Waggon containig two lions and possibly a seated trainer or keeper, also at Selby circa 1930. Not a typical B&W waggon, so it is also probably a Sanger outfit.

The following photographs have been sent to us for dating and for any other information. I have added my comments underneath each photograph, but would welcome further information via the comments section at the bottom of the post or via email: shaun.everett1@gmail.com

Thank you for your interest in this project about the local history of Selby in Yorkshire. My thanks to Mr Chilvers for providing the original photographs.

Rare view of B&W booth at Selby during 1931. This must have been one of the last times it visited the town or anywhere else, given it disbanded the following year. Shows the poor condition of the booth front.

At Selby, showing a group of Dancing Bears on the left of the picture performing for the local population. Unknown group and date. Information would be welcome.